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Instead of one of the classic plays, like The Seagull or The Three Sisters, Shafran takes on the task of adapting several of his short stories into an evening of short plays. She emphasizes that aspect of the parable, distilling most of the stories down to simple but impactful moments of moral clarity or confusion.
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It’s an ambitious, fascinating project that requires bringing the words of Chekhov’s omniscient narrator to the stage. It’s deftly done here. And Shafran, who also directs, has elicited fine performances from an impressive acting ensemble...